Nora Pelss
Nora Pelss
Essay tutor: Sandra Nuut & Else Lagerspetz
The first section of the print is filled with funeral photos inherited from my grandmother, surrounded by deep black, mimicking the aesthetic world of Estonian gravestones. The part of the book with ideas on positive remembrance starts with a striking neon pink, printed with UV ink, that symbolizing the freshness of the ideas and their contrast to tradition.
Our cooperation with Lasteabi started with a campaign introducing their services and highlighting the main message: “We’re always there, anytime and with any problem”. In the center of the campaign, we created eye-catching characters in the middle of their daily situations and problems that Lasteabi offers to help with.
Our cooperation was such a huge success during the campaign creation process that Lasteabi decided to develop its whole visual identity in the same direction as the campaign. The project that started with some posters, a flyer, and a planner will soon be accompanied by an app and a new website,” writes Ruum 414 about Lasteabi.
Maasik adds: “The endless creativity, sincerity and enthusiasm of children in the work is amazing. But it’s clouded by the violence in most of the scenes. When mirroring their surroundings, kids have a way of showing us what society is like in general.”
In my design I wanted to capture the sensation of experiencing the chaotic world of television for the first time as a child, an entrancing feeling which full impact only becomes clear much later.
I designed and illustrated the box, game board, and 40 cards in Sweep's visual identity style, aiming to visualize media, marketing, and creativity concepts in a fun yet aesthetically pleasing way.
I got the chance to design an option for the EDA 2022 awards within the team. Although my idea didn't eventually make the final cut, I received great feedback both in concept and execution. My concept centered around unifiying designers from around the world and bringing creativity together especially in a post-covid era.
During my apprenticeship I got the chance to help Angels art director Triin Heimann with illustrating frames for the animation which eventually got put into motion by A-film. Music by Reket.
Taeva Pesamuna brief was to communicate to employers the seriousness of this situation and bring awareness.
In our solution we emphasized: “As employers, we have the power to offer war refugees fair wages, equal working conditions, and humane working hours. By providing them with a valuable experience in the Estonian job market, we all benefit!”
Our design featured the CY Grotesk typeface, created by Ukrainian font designer Maksym Kobuzan.
As the topic was serious and the talk raised many questions about problems in the current system and ideas how to improve I decided to illustrate the designs in a way which would convey the emotions of women going through the process. For problematic, confusing or difficult steps i added dark gradients to the designs to show how a woman may feel getting results about her cervical cancer screening. For improvement possibilities i added a brighter gradient to communicate hope or clarity.
Overall the campaign was very successful and the bar was packed all night from people around the school.